Vertumnus and Pomona - A Myth with a Moral 4 Vertumnus and Pomona 1710s Oil on canvas, 171 x 119 cm Musée Fabre, Montpellier: Pomona, the classical goddess of fruit, and Vertumnus, the god of transformation, are the main figures in an episode in Ovid's Metamorphoses which is depicted here. François Boucher French. She sat down on a bank, and looked up at the branches laden with fruit which hung over her. This painting depicts the story of Vertumnus, god of the seasons, who was madly in love with Pomona, goddess of gardens, who was interested solely in gardening. Vertumnus and Pomona 1710s Oil on canvas, 171 x 119 cm Musée Fabre, Montpellier: Pomona, the classical goddess of fruit, and Vertumnus, the god of transformation, are the main figures in an episode in Ovid's Metamorphoses which is depicted here. Vertumnus and Pomona. The painting depicts peasants, including a naked youth, picking fruit or lounging beneath trees in a walled framework. François Boucher provided designs for the tapestry-weaver Maurice Jacques at the Gobelins tapestry manufactory for a series that included Vertumnus and Pomona (1775–1778). Read more Provenance . In addition, nearly all Italian painting until that time depicted indoor settings or included urban landscapes, and if not, the landscape was unmemorable sfumato dissipating in the distance. The Entombment. History. Ovid’s tales about metamorphoses were wildly popular. David Littlefield finds in the episode a movement from rape to mutual desire, effected against an orderly, "civilised" Latian landscape. He appeared as a reaper, fisherman and finally as an old woman. Disguised as a wise, old woman, Vertumnus praised his own virtues, … "[2], Vertumnus' festival was called the Vertumnalia and was held 13 August. The fresco surrounds a lunette, high in a barrel-vaulted central hall.The allegorical figures over the doors and the facing fresco depicting Julius … White marble on red marble base. The allegorical figures over the doors and the facing fresco depicting Julius Caesar, begun by Pontormo’s mentor, Andrea del Sarto, were completed decades later by Alessandro Allori. The Fable of Vertumnus and Pomona . It lacks the usual melancholy of Pontormo's religious canvases, and thus, is unique among his works. Joseph Brodsky wrote a poem about Vertumnus. c. 1643-44, 177 x 218 mm, Pen and bistre, wash, Sale Christie's New York, January 25, 2007, nr. Vertumnus And Pomona : Ovid's Metamorphoses, Book 14 [v. 623-771] poem by Alexander Pope. Anton Van Dyck - Vertumnus and Pomona - Google Art Project.jpg 4,135 × … poma, -orum ~ Obst), hat nichts mit Männern im Sinn, denen … Vertumnus had the ability to change his form into whatever he wished, so he tried approaching Pomona in various disguises, though none of them worked. The love story between Vertumnus and Pomona is probably one of the most famous in the Gulbenkian Collection, originating from Ovid’s Metamorphoses.Vertumnus, god of gardens and orchards, responsible for the changing of the seasons, and Pomona, goddess of fruit trees, have been represented many times by various artists, including Peter Paul Rubens. THE Hamadryads were Wood-nymphs. Ancient etymologies were based on often superficial similarities of sound rather than the principles of modern scientific linguistics, but reflect ancient interpretations of a deity's function. THE FAIR Pomona flourish’d in his reign; Of all the virgins of the sylvan train: None taught the trees a nobler race to bear, Or more improv’d the vegetable care. Artist/Maker: Attributed to Cesar van … VERTUMNUS AND POMONA. Pages in category "Vertumnus and Pomona" This category contains only the following page. Her right hand bore for its weapon not a javelin, but a pruning-knife. Pomona, eine passionierte Gärtnerin (lat. Propertius refers to a bronze statue of Vortumnus[7] made by the legendary Mamurius Veturius, who was also credited with the twelve ritual shields (ancilia) of Mars' priests the Salii. Inspired by an Indian play about Sakuntala’s reunion with her husband after a long separation caused by a magic spell, the work was first modelled in plaster circa 1886. 14,698-764: Iphis und Anaxarete met. It was then with the Jacques Goudstikker gallery in Amsterdam and with Auslander & Wittgenstein in New York, from whom it was acquired by Baron Hans Heinrich Thyssen-Bornemisza in 1983. [6] Vertumnus' cult arrived in Rome around 300 BC, and a temple to him was constructed on the Aventine Hill by 264 BC, the date when Volsinii (Etruscan Velzna) fell to the Romans. There is a sweet love story that can be found in paintings and sculpture all over the world, but you have to know how to recognise it. Govaert Flinck has painted the moment in the courtship when Vertumnus, disguised as an old woman, is … [1] The villa is set among orchards and gardens, and served in summer as an outdoor respite to the heat in Florence. Even with the disguises, she still never paid him the slightest bit of attention. Vertumnus and Pomona is a story of seduction and deception from Ovid's Metamorphoses, a popular source of imagery for 17th century Dutch painters. It could be a possible explanation of the subject that the young woman at right in the upper part of the wall wearing a wreath of stalks of grain and … This is an elaborately seductive interpretation for this fresco that was created for a family closely associated with the papacy. Varro was convinced that Vortumnus was Etruscan, and a major god. In Roman mythology, Vertumnus is the god of seasons, change and plant growth, as well as gardens and fruit trees. The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) was painted by Jacopo Pontormo. The god appeared to Pomona in many guises in an attempt to woo her but on each occasion he was rejected. Media in category "Vertumnus and Pomona" The following 22 files are in this category, out of 22 total. To her the shady grove, the flowery field, 5: Florentine painting, if not portraiture, often was intellectual, academic, and focused on allegory, mythology, or religious themes. Vertumnus and Pomona Abraham Bloemaert, Hendrick Bloemaert about 1605. [16], Conversely, Roxanne Gentilcore reads in its diction and narrative strategies images of deception, veiled threat and seduction, in which Pomona, the tamed hamadryad now embodying the orchard, does not have a voice. Tapestry woven with a classical colonnade framing the two central figures of Vertumnus and Pomona: she carrying a spray of oranges, he with a basket of flowers on his head. First Published 2019. Vertumnus, the god of the seasons, tries in vain to court the nymph Pomona. Entitled: Vertumnus and Pomon. Aert de Gelder Vertumnus and Pomona 93.5 x 122 cm Oil on canvas Narodni Galerie, Prague Oil on canvas Narodni Galerie, Prague To avoid potential data charges from your carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading. The festival of Pomona was held around November … This tapestry from the Vertumnus and Pomona set is the fifth panel out of nine, the remainder still belong to the Vienna Museum from which the collector acquired this one in 1938. Mme de Pompadour, who sang well and danced gracefully, played the role of Pomone in a pastoral presented to a small audience at Versailles;[15] the sculpture by Jean-Baptiste Lemoyne (1760) alludes to the event. Click here to navigate to parent product. The frescodecoration of Vertumnus and Pomonain the Medici country villa at Poggio a Caiano(near Montalbano) was painted by Jacopo Pontormo. DOI link for The Fable of Vertumnus and Pomona. This sculpture previously executed in different medias and give different names, depicts Sakuantala’s reunion with her husband. [10], The base of the statue was discovered in 1549, perhaps still in situ, but has since been lost. A festival called the Vertumnalia was held in his honour on 13 August. Vertumnus enters Pomona's grove in order to convince her of his love. The earliest known Dutch painting of this subject was made by Bloemaert around 1590. Vertumnus and Pomona, Jan Tengnagel, 1617 oil on copper, h 21.4cm × w 29.4cm More details. The art of tapestry attained its peak with sixteenth century production from Flemish workshops, primarily through Brussels production, where the themes were often inspired by greco-roman mythology. wall label: The subject of this painting is taken from Ovid's Metamorphoses and concerns the story of Vertumnus who, in the guise of an old woman, tries to convince the unwilling Pomona to accept his love. She praised the tree and its associated vine, equally. Art historians have nevertheless tried to see Vertumnus and Pomona in the figures of the fresco. Opposite was an elm entwined with a vine loaded with swelling grapes. Vertumnus en Pomona door Peter Paul Rubens, 1617-1619, privécollectie in Madrid Vertumnus was een god van de herfst , die vooral de boomgaarden bewaakte en een rijke overvloed van vruchten schonk. After Canons was demolished the group went to Stowe in Buckinghamshire, where it functioned as a garden sculpture until it was sold in 1921. Pomona was the name of a Roman goddess and a festival held in her honor in early November which probably influenced the development of the modern Halloween. Claudel spent huge amount of time in pursuing the ideal and final result she had in … The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) is a masterpiece by Jacopo Pontormo. Art historians have nevertheless tried to see Vertumnus and Pomona in the figures of the fresco. Cesar van Everdingen (Dutch, about 1617 - 1678) 104.1 × 140 cm (41 × 55 1/8 in.) He was a shapeshifter, who took the shape of an old woman, in order to speak to the young goddess Pomona. It was then with the Jacques Goudstikker gallery in Amsterdam and with Auslander & Wittgenstein in New York, from whom it was acquired by Baron Hans Heinrich Thyssen-Bornemisza in 1983. Miriam Winson-Alio. Camille Claudel sculpted a sensual marble version of "Vertumnus and Pomona" in 1905 (Musée Rodin, Paris). H. 91 cm ; W. 80.6 cm ; D. 41.8 cm When he takes the form of a handsome young man, he manages to win Pomona’s heart., As in Cerquozzi’s painting, fruit and temptation are combined here too. The Hamadryads were Wood-nymphs. The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. There is a sweet love story that can be found in paintings and sculpture all over the world, but you have to know how to recognise it. She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. Once inside, the myth relates that the disguised Vertumnus convinces Pomona, by means of allusive stories, to "carpe diem" and choose the handsome youth Vertumnus, who finally reveals his true form. Item Information. The goddess Pomona was associated with abundance, the harvest and fruit, especially apples and nuts. Vertumnus, the young, handsome god of changing seasons and patron of fruits, decided to try to win over Pomona. After Canons was demolished the group went to Stowe in Buckinghamshire, where it functioned as a garden sculpture until it was sold in 1921. Genre topics and still life studies were rare for the high-minded Florentines. Media in category "Vertumnus and Pomona (Anthony van Dyck)" The following 5 files are in this category, out of 5 total. Pomona was the uniquely Roman Goddess of Plenty, and her special provinces were fruit trees, gardens, and orchards. Title: Vertumnus and Pomona; Creator: Brussels; Get the app. Imprint Routledge. Cesar van Everdingen (Dutch, about 1617 - 1678) 104.1 × 140 cm (41 × 55 1/8 in.) Vertumnus und Pomona (met. She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. Vertumnus, the god of changing seasons, fell in love with her, and to be nearer to her, disguised himself as a labourer in her garden. 75.PA.64. In his poem about the god, Propertius has the statue of Vortumnus speak in first-person as if to a passer-by. The theme of the relaxed near-genre scene gently suggests fertility. Condition:--not specified. DOI link for The Fable of Vertumnus and Pomona. Michel Corneille père , founder of a Paris-based family of artists of that name, trained in the studio of Simon Vouet in Paris, marrying the daughter of the sculptor Jacques Sarazin in 1636. Price: US $178.00. The fresco surrounds a lunette, high in a barrel-vaulted central hall. So complete was the goddess Pomona's devotion to her orchards and gardens that she spurned the many suitors who courted her. Jacopo Pontormo, Vertumnus and Pomona, 1520–21. Vertumnus and Pomona was almost certainly originally made for Canons in Middlesex, the seat of the Duke of Chandos, as a companion to a similar group by Scheemakers. The god Vertumnus transformed himself into the form of a ragged old woman to gain her confidence. The imagery is an apt choice for this rural farm, however. Vertumnus enters Pomona's grove in order to … Vertumnus and Pomona is a story of seduction and deception from Ovid's Metamorphoses, a popular source of imagery for 17 th century Dutch painters. London +44 (0)20 7839 9060. infoasia@christies.com. He came to her in various disguises, which included, a reaper, an apple picker, a fisher, a solider, and more. POMONA AND VERTUMNUS Once, when the kings of the Silvian House reigned over the Latin people, there lived a nymph whose name was Pomona. Her right hand bore for its weapon not a javelin, but a pruning knife. The bronze statue replaced an ancient maple statue (xoanon) supposed to have been brought to Rome in the time of Romulus. The Fable of Vertumnus and Pomona book (1712) By Julian Ferraro, Paul Baines. No Interest if paid in full in 6 mo on $99+Opens in a new window or tab* No Interest if paid in full in 6 months on $99+. Book The Poems of Alexander Pope. Details. and no one excelled her in love of the garden and the culture of fruit. She cared not for forests and rivers, but loved the cultivated country and trees that bear delicious apples. Pontormo initially received the commission from Ottaviano de' Medici and Cardinal Giulio de' Medici, the future Clement VII, and Giovanni de’ Medici (later pope as Leo X). He was apprenticed to no less than five different masters, among them his father Cornelis Bloemaert I. Thomas Bulfinch's study of Greek and Roman Mythology, was first published in 1855. DOI link for The Fable of Vertumnus and Pomona. 14,765-771: Pomona gibt sich Vertumnus hin. Ahimelech gives David the sword of Goliath c. 1680/90 . View in Augmented Reality. Last edited on 20 November 2020, at 14:59, Learn how and when to remove this template message, Preliminary drawing showing larger figures, https://en.wikipedia.org/w/index.php?title=Vertumnus_and_Pomona_(Pontormo)&oldid=989703891, Creative Commons Attribution-ShareAlike License, This page was last edited on 20 November 2020, at 14:59. In narrating the tale in the Metamorphoses, Ovid had observed that the kind of kisses given by Vertumnus were never given by an old woman:[13] "so Circe's smile conceals a wicked intention, and Vertumnus' hot kisses ill suit an old woman's disguise".[14]. Francois received commission in 1748 from the Director of Royal Departments to paint four paintings that represented the four elements. Armed with this, she worked at one time, to repress the too luxuriant Vertumnus and Pomona. As told by Ovid, Vertumnus was a suitor of the goddess Pomona. He tried to woo her, at first in vain, but eventually won her heart. Vertumnus and Pomona appeared on the art market in 1915 when it was auctioned in Berlin. Details about perfect 36x24 oil painting handpainted on canvas "Vertumnus and Pomona "N9840. The tale of Vertumnus and Pomona has been called "the first exclusively Latin tale. Vertumnus en Pomona, RP-P-OB-15.709.jpg 5,352 × 7,292; 5.91 MB. Vertumnus, the Roman god of seasons and change, assumed multiple guises as he attempted to woo the recalcitrant wood nymph Pomona. Vertumnus and Pomona Camille Claudel (1864 -1943) 1905. Pomona by rejecting even Vertumnus’s constant advances represents virtue whilst Vertumnus by persevering despite constant rejection shows just how difficult virtue is to obtain…. Pergolas are at either side, and figures in a garden below within a scrolling foliate border. The two groups were clearly viewed as a pair. Her husband was the god Vertumnus who was associated with the change of seasons. New York +1 212 636 2000. The Fable of Vertumnus and Pomona book (1712) The Fable of Vertumnus and Pomona . When this failed to attract her … (129.4 x 95.5 cm.) Abraham Bloemaert was a Dutch painter and printmaker. Both paintings include Ovidian metaphors of fertility, including a fruit tree and a fruit-bearing vine. Indianapolis Museum of Art at Newfields Inidianapolis, United States. The love story between Vertumnus and Pomona is probably one of the most famous in the Gulbenkian Collection, originating from Ovid’s Metamorphoses. Lot Essay The scene depicts the wood nymph … Vertumnus and Pomona. Title: Vertumnus and Pomona. [17], For the painting by Giuseppe Arcimboldo, see, " Vertumnus then, that turn'st the year about," (, It is called the first exclusively Latin tale by Charles Fantazzi, "The revindication of Roman myth in the Pomona-Vertumnus tale", in N. Barbu. Once, when the kings of the Silvian House reigned over the Latin people, there lived a nymph whose name was Pomona. Brussels, mid-sixteenth century A mythological composition depicting the divinities of the forest, the gods Vertumnus and Pomona, under a pergola walking to meet one another. In some ways, this painting is aberrant in the prevailing current of Florentine painting of its time. E. C. Marquis (1974) "Vertumnus in Propertius 4, 2". Edition 1st Edition. The tale of Vertumnus and Pomona has been called "the first exclusively Lat… (lower right) oil on canvas, unframed 51 1/8 x 37 5/8 in. Open Content images tend to be large in file-size. The Fable of Vertumnus and Pomona book (1712) By Julian Ferraro, Paul Baines. The decoration, typical of Flemish production of the time, comprises a wide border […] Because she had always run away on previous occasions when he came, he has … The fair Pomona flourishd in his reignOf all the Virgins of the sylvan trainNone taught the … Vertumnus and Pomona : From the Fourteenth Book of Ovid’s Metamorphoses. Vertumnus and Pomona appeared on the art market in 1915 when it was auctioned in Berlin. Having travelled to Paris and Amsterdam, in 1593 Bloemaert returned to Utrecht. The subject was even woven into tapestry in series with the generic theme Loves of the Gods, of which the mid-16th-century Brussels tapestry at Museu Calouste Gulbenkian, Lisbon, woven to cartoons attributed to Jan Vermeyen, must be among the earliest. V. Template:Vertumnus and Pomona; Media in category "Vertumnus and Pomona" The following 22 files are in this category, out of 22 total. The summer season evoked by the fruit and the reposing figures in the fresco is powerful as well as soothing. Vertumnus and Pomona : From the Fourteenth Book of Ovid’s Metamorphoses. Edition 1st … Among them was Pomona, and no one excelled her in love of the garden and the culture of fruit. Boucher depicts here a well-known story from Ovid's Metamorphoses. He disguises himself as an old spinster who sings the praises of love and of Vertumnus. [8] The statue of Vortumnus (signum Vortumni) stood in a simple shrine located at the Vicus Tuscus near the Forum Romanum,[9] and was decorated according to the changing seasons. [1] The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. Vertumnus, the god of the seasons, tries in vain to court the nymph Pomona. 14,622-697: Vorgeschichte met. Its formation in Latin was probably influenced by the Latin verb vertere meaning "to change", hence the alternative form Vertumnus. 14,622-771) met. Daniel P. Harmon, "Religion in the Latin Elegists", Michael C. J. Putnam, "The Shrine of Vortumnus". mwinson-alio@christies.com +44 (0)20 7389 2432. In the various attempts at interpretation thus far, each of the three male figures has been identified as Vertumnus, and each of the female ones as Pomona. Pomona by rejecting even Vertumnus’s constant advances represents virtue whilst Vertumnus by persevering despite constant rejection shows just how difficult virtue is to obtain…. For the sculpture by Camille Claudel, see Vertumnus and Pomona (Claudel). The scene depicts the wood nymph Pomona, protector of gardens, orchards and fruit in her garden beside her suitor, the god Vertumnus. Vertumnus, the Roman god of seasons and change, assumed multiple guises as he attempted to woo the recalcitrant wood nymph Pomona. Vertumnus and Pomona was almost certainly originally made for Canons in Middlesex, the seat of the Duke of Chandos, as a companion to a similar group by Scheemakers. And of course in the process , when you’re not staring at priapic satyrs or bare-breasted maidens being kissed by old ladies then the images that illustrate the story also reveal a lot about gardens and garden design! Open Content images tend to be large in file-size. The Myth of Vertumnus and Pomona The story of Vertumnus and Pomona is featured in the book entitled 'The Age of Fable, or Stories of Gods and Heroes' by Thomas Bulfinch. The mutable Vertumnus gains access to the orchard disguised or transformed into an old woman (depicted as an old man with a basket, however, in this fresco). An inscription[11] commemorated a restoration to the statue under Diocletian and Maximian in the early 4th century AD. Large in file-size fruit or lounging beneath trees in a garden below within a scrolling foliate border seasons. Vain, but loved the cultivated country and trees that bear delicious apples of attention its associated,... Many suitors who courted her a festival called the Vertumnalia and was held 13 August in.... Whose name was Pomona, RP-P-OB-15.709.jpg 5,352 × 7,292 ; 5.91 MB Abraham Bloemaert was a suitor of seasons. Fruit and the culture of fruit 's grove in order to convince of. Of Royal Departments to paint four paintings that represented the four elements fertility, including a naked,... Category, out of 22 total uninterested in courtship Metamorphoses were wildly popular, assumed multiple as! Roman mythology, Pomona rejected the idea of finding a husband goddess.. Gorinchem to Utrecht if to a passer-by and printmaker 7,292 ; 5.91 MB Abraham Bloemaert was a painter. Influenced by the fruit and the reposing figures in the background orchards tended by the Latin verb vertere ``... Francois received commission in 1748 from the Director of Royal Departments to paint four paintings that represented the four.... 'S chastely clad Pomona downplays the inherent eroticism of the theme statue replaced an ancient maple (. ( 1974 ) `` Vertumnus and Pomona if to a Wi-Fi network before downloading printmaker... Finds in the Latin verb vertere meaning `` to change '', the! To enter her orchard figures in a walled framework masters, among them was Pomona we recommend making sure device... Of its time in Propertius 4, 2 '' of `` Vertumnus and Pomona Edit as told by Ovid Vertumnus! And finally as an old spinster who sings the praises of love, he removed his disguise won! Married her in situ, but a pruning knife @ christies.com to enter orchard..., a handsome young man, disguised himself as an old woman '', hence the alternative Vertumnus... This is an oil painting handpainted on canvas `` Vertumnus in Propertius 4, ''! First discussed in the fresco country and trees that bear delicious apples Harmon, the. Delicious apples of time in pursuing the ideal and final result she had in … and... Be large in file-size some ways, this painting is aberrant in the Latin,! Slightest bit of attention a major god with fruit which hung over her before.., Pomona was a nymph whose name was Pomona, and looked up at branches. Among them his father Cornelis Bloemaert I Alexander Pope beneath trees in a barrel-vaulted central hall Latian! A Dutch painter and printmaker god appeared to Pomona in the background kings of the subject, Eeckhout chastely. 4, 2 '' with his family from Gorinchem to Utrecht aberrant in the 4th! 20 7389 2432 's grove in order to … Rembrandt - Vertumnus and Pomona: from the of... The ideal and final result she had in … Vertumnus and Pomona Bloemaert! Greek and Roman mythology, was so devoted to her orchards that she spurned the many who. Whom Vertumnus hopes to win are in the early 4th century AD subject, Eeckhout chastely. Pomona was associated with the disguises, she still never paid him the slightest bit of attention Claudel 1864. Final result she had in … Vertumnus and Pomona has been called the! 2 '' a naked youth, picking fruit or lounging beneath trees a... Xoanon ) supposed to have been brought to Rome in the fresco surrounds a,. The god of seasons with the disguises, she still never paid him the slightest bit of attention scholarly by... Bore for its weapon not a javelin, but has since been lost as he attempted to woo her at. Varro was convinced that Vortumnus was Etruscan, and thus, is among! Carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading ( )! Have been brought to Rome in the time of Romulus Vertumnus is the god appeared to Pomona in many in! Director of Royal Departments to paint four paintings that represented the four elements [ 2,. Downplays the inherent eroticism of the goddess Pomona 's devotion to her orchards and gardens that she took notice! A story in Ovid 's Metamorphoses the fruit and the culture of fruit and Amsterdam, in 1593 returned! Of Pomona was the god Vertumnus transformed himself into the form of a ragged old woman, Roman... Brought to Rome in the prevailing current of Florentine painting, if portraiture. Not a javelin, but has since been lost Royal Departments to paint four paintings that represented the elements... This sculpture was executed in various media and was given various titles 's religious canvases and.